Hiroshi Matsui

Parsifal, Saarländisches Staatstheater Saarbrücken
"Celebrated is Gurnemanz Hiroshi Matsui, with all the virility and determination in his voice." Opernnetz

"Hiroshi Matsui proves with a significant role (Gurnemanz) its class. This deep black, soft flowing bass that has so many nuances." Saarbrücker Zeitung

“Greatest respect deserved that night and not for the first time – Hiroshi Matsui in the role of Gurnemanz. Being taken up entirely in the role, he offered vocally a true masterpiece. With impressive care and discipline he interpreted the very large bass part to the smallest detail elaborated and with great musical verse. Matsui is a permanent member of the house of an invaluable asset and outdid himself here again.” Klassik.com

Rusalka, Saarländisches Staatstheater Saarbrücken
"Hiroshi Matsui convinced also without decoration as spooky water goblin; one was excitingly awaiting every new dialogue with Rusalka." Saarbrücker Zeitung

"Also the water goblin, Hiroshi Matsui, with his rich, poweful bass, is an acustic delight." SR2

Macbeth, Saarländisches Staatstheater Saarbrücken
"Hiroshi Matsui gives a sonorous bass, that he could use to the fullest depths as Banco." Opernetz

Entführung aus dem Serail, Saarländisches Staatstheater Saarbrücken
"Hiroshi Matsui gave a superb Osmin and János Ocsovai one facing Pedrillo.” Die Rheinpfalz

"What an Osmin! The anger and vindictiveness in his powerful voice, they are categorically in space. Hiroshi Matsui, technically accomplished demanding respect for his expression, ideal cast. A vocal ensemble that meets the highest standards." Opernnetz

Don Giovanni, Saarländisches Staatstheater Saarbrücken
"the commendatore by Hiroshi Matsui. The singer was in a great shape and sang the stone guest with awe-inspiring bass power. With iron authority he showed the bugaboo the him befitting residence." Der neue Merker

"Hiroshi Matsui with his black bass is a Komtur of real dignity." Saarbrücker Zeitung

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