Sonja Maria Westermann

Fidelio, Mittelsächsisches Theater Freiberg

"Sonja Maria Westermann sings the Leonore. She rises enormously, blossoms, touches, carries away and even at the end, when Beethoven scratches at the limits of singability in his orgies of jubilation, she remains the loving woman.”  Sächsische Zeitung

"Soprano Sonja Maria Westermann (Leonore/Fidelio) received several shouts of bravo and cheers." Freie Presse

"The theatre guests did not miss the opportunity to applaud in between, even though spoken texts and music were closely connected. In the end, the energy was discharged in bravos and prolonged rhythmic clapping.” Freie Presse

Un ballo in maschera, Landestheater Neustrelitz

"Sonja Maria Westermann is a beguiling, beautiful and playful Amelia" orpheus

"With Sonja Maria Westermann I was able to hear one of the best Amelias of my life, a warm timbred soprano voice with precious colors in height and depth, a wonderful Messa di voce, always providing the stage with the right fullness, without ever sounding unpleasant. Perfect! An experience!" Der Opernfreund

Luisa Miller, Theater Plauen-Zwickau

"Sonja Westermann mastered the role of Luisa Miller with flying colors! She successfully managed the breakneck coloratura passages and extremely high notes in the aria "Non temer: più nobil spirto" lacking nothing in musical finesse." Das Opernglas

"Sonja Westermann's portrayal of the character Luisa is totally convincing. Her voice is mellifluous extending well even in the coloratura passages." Freie Presse

"In the title role, Sonja Westermann made an impression with her technically perfect, controlled soprano voice, which skillfully mastered the corresponding coloratura passages." Der neue Merker

"The duet with Sonja Westermann - singing Luisa's coloraturas as well as the cantilenas deft and smooth like drinking a glass of excellent wine - is one of the high points of the evening." Opernwelt

Faust, Theater Plauen-Zwickau

Sonja Westermann crowns her first season at the Theatre Plauen-Zwickau with excellent achievement. She creates a believable Margarethe to whom she gives both spirit and soul. Her attractive, multifaceted soprano reflects the different faces of this young girl from trusting innocence to love in the face of death. Westermann also possesses the necessary vocal stamina for such an immense role. Freie Presse

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