Anne-Theresa M°ller

Tristan und Isolde, Landestheater Niederbayern
"Anne-Theresa Moller sang a Brangäne with fervency, radiated warm and secure mezzo sounds and gava a nice contrast to Isolde." Das Opernglas

"With warm and soulful Mezzo-Soprano which showed an enormous dramatic in her heights, and Anne-Theresa Moller also performed a great Brangäne." Der Operfreund

Der Idiot, Nationaltheater Mannheim
"As a rival for Myschkin's love Anne-Theresa Møller stood up successfully against her with her superb, full and round mezzo-soprano also first-class singing and completely wrapped up in her character with eye-catching and sensitive acting." Der Opernfreund

"Next to the title character it is above all [...] the lyric Mezzo-soprano Anne-Theresa Møller as her rival Aglaia who stand out of an excellent singing and acting ensemble." Stuttgarter Zeitung

"The two women, who are fighting about him, challenge each other also vocally to a duel of passions: Ludmilla Slepneva is a polished Nastassja, Anne-Theresa Møller a dramatic Aglaia with warm timbre." Frankfurter Allgemeine Zeitung

"Anne-Theresa Møller and Ludmilla Slepneva as contrary, competitive women master their roles not only vocally confidently." Deutschlandradio Kultur

Werther, Nationaltheater Mannheim
"Graceful in her stage appearance, overwhelming in the inner emotions Anne-Theresa Møller gave the Charlotte with wonderful shining high notes and beguiling low notes of her elegant and pure guided voice." Der Opernfreund

The turn of the screw, Nationaltheater Mannheim
"Anne-Theresa Møller was a quite young, impulsive and with perfectly focussed Mezzo-soprano, also dictional impeccable Mrs. Grose." Der Opernfreund

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